Dorkin/Thompson BEASTS OF BURDEN tour

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Crumb’s GENESIS. ASTERIOS POLYP. Joe Sacco’s NOTES FROM GAZA. The ALEC collection. 2009 has seen more than its share of graphic novels that change how we look at the medium. But none of those books is a beautiful painted miniseries about a kitty and some puppies that fight supernatural menaces. No, that book is BEASTS OF BURDEN by Evan Dorkin and Jill Thompson, and WE NEED THIS BOOK. These two fine creators will be making various appearances to promote this book over the next few days, starting TONIGHT! Here’s the schedule:

Friday Sept 11th
Evan Dorkin
Modern Myths 7th Anniversary Party
Northampton, MA
6-9

http://www.modern-myths.com/

Saturday Sept 12th
Evan Dorkin
Modern Myths
Northampton, MA
1-3

http://www.modern-myths.com/

Wednesday Sept 16th
Jill Thompson and Evan Dorkin/Beasts of Burden #1 release party
Comic Book Jones
Staten Island, NY
6-9 pm

http://www.comicbookjones.net/events.htm

Saturday Sept 19th
Jill Thompson and Evan Dorkin/Beasts of Burden #1 release party
Bergen Street Comics
Brooklyn, NY
6-closing

http://bergenstreetcomics.com/dev/?page_id=12

PERSONAL #3: Haspiel/Galifiniakis — the cosmic connection

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This week’s New Yorker contains many things comics … a cover by Ivan Brunetti, a print ad for the Vertigo Crime Line (props to DC for outside-the-box marketing) and a story on HBO’s upcoming series Bored to Death in Brooklyn. The show is notable because it is written by sometimes comics scripter Jonathan Ames, and the cast includes characters based on some of Ames’ friends…including one based on his THE ALCOHOLIC collaborator, Dean Haspiel, portrayed by comic (of the other kind) Zack Galifianakis.

Galifianakis, who plays a comic-book artist named Ray, said, “I bike to the set every day.” He was walking a bit stiffly, and he reached down to rub his right knee.

“What happened to your knee?” Thirlby asked.

“I don’t know how it happened,” Galifianakis said. “It just slowly started getting painful and then more painful.”

“You need to go to a doctor,” Thirlby said.


Strange. Unknown, perhaps to the writer, or maybe even Galifianakis, the REAL Haspiel sustained a broken knee many years ago and walks with a bit of a limp. Even more oddly, the story continues…

The next scene was outside Ralph’s Meat Corp.: Schwartzman is running down the street with a limping Galifianakis (his knee injury had to be written into the script), and they bump into Thirlby.


Odd. Is this a reverse King Mob/Grant Morrison-like case of real life spilling into the fictional? Will Galifianakis soon start taking off his shirt at parties and talking about webcomics? Developing.

PERSONAL #2: Chris Weston, crimefighter

Large-Msg-11897638265Artist Chris Weston is no stranger to mayhem, having drawn THE FILTH, THE TWELVE, and many more beloved comics classics. Doubtless the ninja training of working with Grant Morrison and JMS has honed his senses into the lightning fast reflexes he needed to actually solve a crime! After witnessing a robbery at his local bank, Weston raced home to sketch the dastardly perp. The rest:

I took my drawings round to the local cop-shop. Finding it full of your usual oiks and ne’er-do-wells, I was reluctant to broadcast my status as as a grass (yes I’m aware of the irony of that last statement given that I’m now announcing my deeds to the world on a blog)… so I gingerly approached the desk and whispered “I’d like to report a serious crime…”. The copper patiently asked for some more details, so I mouthed “The bank robbery …”. This got his attention and he asked me if I was a witness.

“I’m more than a witness!” I blurted, “Check these out!”


With the help of Weston’s artistic fidelity, the felon was nabbed and justice restored. All in a day’s work for…Comic Book Artist Man.

Art distraction: Character Designer Blog

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Interviews with folks who design characters for film, animation, video games and comics. For instance, Paul Linsley (his take on the Turtles, above.)

What goes through my mind?… “Okay Paul, we need a completely original character, that’s fun and appealing, but complex, yet simple, and like nothing we’ve ever seen before.” … Panic. Anxiety. A dim bulb of an idea. Start moving the pencil, Paul. You can do this. Just start moving your pencil. Man, that looks like crap. Wait look at some of your favorites in your inspiration folder. Awwww.. Carter Goodrich! Scott Morse! Yess… Clair Wendling :) Yes yessss… Maybe a little Joe Sorren… Yes More? Why not some Francisco Herrera? Yess. Some Travis Charest. No, wait too stiff! I know, some Nate Wragg, lightly peppered with Matt Nolte. Perfect. Now pick up the pencil and draw again. CURSES!!! Then I go on to take some cheap stabs at a doodle and give it some life. It’s like there is riot of bad drawings clamoring to escape your mind through the pencil, and every time you pick one up, those have to be released first before you begin to find the magic. Of course I go through the basic elements of design: circle, square, triangle, red, yellow, blue. Is this an antagonist/protagonist? If I have the luxury (depending on the project) I’ll go into the screenplay and try to understand their history, inner-conflict and the roll they play in the story.

Marie Severin on her 80th birthday

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Scott Edelman reports on how the great lady spent her 80th.

Robot 6 does Comics 101

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Can you believe that none of the marquee comics blogs have a feature called Comics 101? That was low-hanging fruit. Over at Robot 6, Chris Mautner remedies that, inaugurating the new feature with a look at Los Bros Hernandez:

In the early 1980s, Love and Rockets was one of the seminal titles, along with books like Cerebus and American Flagg, in shaping the sensibilities of the nascent indie scene. Their influence since then has been enormous, both in the indie world and the mainstream (writer Matt Fraction cites Gilbert Hernandez as a strong influence). Their jump-cut style, which forces the reader to connect the narrative dots beetween the panels, their blend of genres (science fiction, realism, romance), their use of magical realism all helped show that not only could comic be serious literature, but how to achieve such a goal.

Morrison/Barker on video


Meltdown has video of the Grant Morrison/Clive Barker summit. Marz Richards provides a transcript at the same link.

More on the cartoonist/swimsuit mystery

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Our post spotlighting a LIFE magazine archive of photos of 1950 cartoonists drawing on swimsuit models, got lots and lots of attention, but no one seemed to know if the photos had ever appeared in print.

Well, Library of American Comics editor Dean Mullaney has stepped in to solve at least part of the mystery. A 1951 Jan/Feb issue of Gala Magazine ran several of the pictures, including Bil Holman and George Wunder, above and Otto Soglow, below. Gala Magazine was, Mullaney explains, “a low-budget pin-up/model mag (as opposed to a nudie mag), with cheap printing.” Photos of girls in bathing suits and so on were a staple.

The caption reveals that the pretext for the event was a test of waterproof ink (we suspected it has something to do with pens.) Hence the cartoonists dousing the ladies with water later on. Because nothing says waterproof like Smokey Stover and girls in bathing suits.

BTW, Paul Tobin’s reconstruction of the event is a must read.

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Also, it’s a pretty good bet that Eleanor Roosevelt wasn’t really there.

Gene Colan hospitalized

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Jim McLauchlin at the Hero Initiative writes to say that Gene Colan is back in the hospital:

Gene Colan’s wife Adrienne informs us that Gene was taken to Mt. Sinai Hospital in New York early in the morning on Monday, Aug. 10 by ambulance.

All is looking okay, and best guess is that Gene might be laid up in hospital for a few days. In fact, steady improvement could get him home by late Wednesday-early Thursday. He has pneumonia in his right lung behind his heart, and possibility of infection of some fluids. Some Encephalopathy-related difficulties may be going on, too.

As positive vibes are always a nice tonic, cards, letters and well-wishes are deeply appreciated, and can be sent to:
Gene Colan
2240 Burnett Street, #5D
Brooklyn, New York 11229

The happiest cartoonists of all time

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One can only guess at what the occasion for this LIFE Magazine photo shoot was, but it must have been long remembered in the halls of NCS. Apparently a bunch of strip cartoonists were brought out to draw on the bathing suits of a bunch of comely young models. All that’s missing is a bunch of those cartoon sweat drops (“plewds”) surrounding the heads of these guys as they try to get a ballpoint pen to draw over the nylon-encased curves of the models’ “hites.”

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Behold, Ernie Bushmiller.

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Oh, Alfred Andriola! You didn’t!!

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Penny-pinching senator kiboshes cartoonist hire

200908071117One fewer cartoonist is (potentially) gainfully employed today, after the Senate questioned a Treasury plan to hire a cartoonist. The Treasury’s Bureau of Public Debt hoped that witty cartoons and seminars on humor would cheer up their workers, who are toiling to oversee the nations $1.2 trillion debt.

“Our training staff felt that at a time when employees are working extra hours, it might have been helpful,” said Kim Treat, a spokesman for the bureau.

But the effort was canceled because it had become “more of a distraction than an opportunity,” he said.


The plan was scuttled when the office of Sen. Byron Dorgan, D-N.D. questioned the move, Dorgan wrote, in part, “Of all the agencies, the Bureau of Public Debt should know that there is very little that is funny about today’s economic conditions.”

Truly debt is no laughing matter and we must turn back to the private sector to find jobs for the nation’s ink slingers.

(Caricature of Dornan by Kerry Waghorn.)

NOTE: Eagle-eyed Steven Stahl points out the nation’s debt is actually $11.66 trillion. The $1.2 trillion figure is from the AP.

R.I.P. Heinz Edelmann, Yellow Submarine Art Director

yellow submarine
Posted by Evie

The L.A. Times reports that Heinz Edelmann, best known for his work as art director of the 1968 Beatles film “Yellow Submarine,” died last week at a hospital in Stuttgart, Germany. He also designed the cover for the German edition of Tolkien’s Lord of the Rings, among many other books. He was 75.

He was also living proof that you don’t need drugs to be an awesome surrealist:

“I had never taken any drugs,” the artist said in a 2004 interview with the British magazine Design Week. “I’m a conservative, working-class person who sticks to booze . . . so I just knew about the psychedelic experience. . . . I guessed what it was.”

So remember that, aspiring cartoonists: stick to booze.

I can’t seem to get video embedding to work, but here’s “When I’m 64″ from “Yellow Submarine,” enjoy.

Levin acquires Terry Moore’s ECHO

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Variety reports that a bunch of new comic book movie deals are on their way, and first out of the gate is Terry Moore’s SF tale ECHO, which has been acquired in a six figure deal by Lloyd Levin, who produced WATCHMEN.

“Echo” tells the story of a photographer who is preoccupied with her personal problems until she gets doused by liquid metal from a military experiment gone awry. She discovers she can now harness the power of a nuclear bomb, and soon the military wants its walking weapon.

Levin also produced the “Hellboy” films, both with Larry Gordon. Levin is also a producer on the upcoming Paul Greengrass-directed Universal drama “Green Zone.”


According to the piece while comic book movies remain incredibly popular, studios are looking increasingly to non-superhero fare.

Tomorrow’s don’t miss: Mazzucchelli and Nadel at MoCCA

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In a year jammed with graphic novel publishing events, the appearance of ASTERIOS POLYP still counts as something special. Over a decade in the making, and executed with attention to every creative detail, it’s a powerful story that touches on identity, art, architecture, the nature of love and much more.

Despite its densely packed narrative — which takes flawless advantage of the graphic novel format — one thing you won’t hear creator David Mazzucchelli talking about is his new book; he’s declined any and all interview requests or publicity opportunities,  preferring to let it speak for itself. Calvin Reid’s piece on the book for PWCW interviews editor Chip Kidd and publisher Dan Frank …as close as we’ve gotten to a behind the scenes.

So, the 7/16 event at MoCCA with Mazzucchelli in conversation with Dan Nadel will be a rare event. Although Mazzucchelli will be talking about his work, he won’t be talking about POLYP…but listening to the man talk is always educational and will be as close as we are likely to come to getting a glimpse into the origins of this amazing book.

Please join the Museum of Comic and Cartoon Art – MoCCA for
David Mazzucchelli and Dan Nadel in Conversation
Thursday, July 16, 7 P.M.
at MoCCA, 594 Broadway (between Houston and Prince), suite 401, New York, NY 10012

Mazzucchelli and Nadel will discuss Mazzucchelli’s work, and the exhibition, Sounds and Pauses. Mazzucchelli will sign copies of Asterios Polyp and other books after the conversation.

About David Mazzucchelli:
David Mazzucchelli has been making comics his whole life. Known chiefly for his collaborations—with Frank Miller on seminal Batman and Daredevil stories, and with Paul Karasik on an adaptation of Paul Auster’s novel, City of Glass—he began publishing his own stories in 1991 in his anthology magazine, Rubber Blanket. Since then his short comics have been published in books and magazines around the world. Asterios Polyp is his first graphic novel.

About Dan Nadel
Dan Nadel is the owner of PictureBox, Inc., a Grammy Award-winning New York-based packaging and publishing company. Dan has authored two award-winning books: Art Out of Time: Unknown Comic Visionaries 1900-1969 and Gary Panter. As a curator, he has mounted exhibitions for numerous venues in New York, Los Angeles, Paris, Athens, and Tokyo.

More STRANGE TALES: Tony Millionaire’s IRON MAN

Tonyman

Can there be enough STRANGE TALES previews?

NO.

This is from Eric Reynolds at FLOG.

Sergio Aragonés to join Simpsons Comics

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This press release is a little long, but it’s worth it just to see Sergio Aragonés’s accomplishments laid out in one very very long paragraph. In the time it takes to read it, he probably drew a whole page!


Bart Simpson teams up with Sergio Aragonés beginning in Bart Simpson #50.

Matt Groening, creator of “The Simpsons” and “Futurama,” has announced that Sergio Aragonés (MAD Magazine, Groo the Wanderer) will become a regular featured artist and writer in Bart Simpson comics beginning with issue #50. Sergio Aragonés will provide the entire contents of Bart Simpson #50 as well as the cover art. The issue will include an eleven-page main story entitled “The Simpson Project.” Mr. Aragonés will also contribute a new and ongoing feature entitled “Maggie’s Crib,” a series of pantomime stories much in the vein of his classic three-page “A Mad Look At…” feature found in MAD Magazine. Sergio will also be a contributor of stories to the Bart Simpson title as well as other Bongo Comics Group titles on a regular basis.
 
Bart Simpson #50 will be released on October 28, 2009 in direct market comic book stores and at newsstands. Bart Simpson is a bimonthly comic book aimed at younger comic book readers and was launched in 2000.
 
“I have been a Simpsons fan from the very beginning,” says Sergio Aragonés. “I watch the show, read the comics, and collect everything that has come out, so imagine the pleasure to now be writing and drawing my favorite family…I couldn’t be happier!”
 
Bill Morrison, Bongo Comics Creative Director, says, “We’ve put some of the funniest characters ever created in the hands of the world’s funniest cartoonist. This is unprecedented in the world of humor comics, and it may result in more comedy than the average reader can safely handle. I predict it’ll be just like that movie The Perfect Storm, only hilarious.”
 
“Sergio’s the best,” says Matt Groening, Bongo Comics founder and publisher, “and it’s an honor to work with him.”


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Carmine Infantino speaks; Chris Irving responds

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Legendary artist and publisher Carmine Infantino was the subject of an interview on the Graphic NYC website last week, and it seems that he takes issue with some of the handling of the piece. Since we gave the interview a prominent spot, we’re giving his rebuttal equal prominence:

“Some weeks back, I granted an interview to Mr. Christopher Irving, who brought along a few friends, one of whom photographed me. Mr. Irving promised that I could look over the materials before publication. Imagine my surprise when I found out that both the interview, which was turned into an essay, and the photographs, were posted on the internet before I had a chance to review them.
Not only am I displeased with Mr. Irving for not keeping his word to me, but I also object to his describing my physical health in a negative way, as if I was about to die. Irving reinforced this image by labeling the essay as Carmine Infantino’s Final Interview. I was unaware until now that I had died. I may be an 84 year old man with some health issues, but I am not at death’s door. Also, I never stated that this was my final interview, as I have given one since then, and if the opportunity arises, I may do more.
When I complained about the essay title, Mr. Irving promised to change the title, but all he did was add a question mark at the end. If he’s expecting me to die soon, I wish he’d tell that to my sister-in-law, who’s cooking dinner for me next week.
I asked him to remove the bad language from the interview, which he did. However, he has not fixed the historical inaccuracies in the piece, most of which consist of his own lack of research. When discussing my decision to have Murphy Anderson redraw Jack Kirby’s Superman and Jimmy Olsen faces, Irving states, “Carmine now admits this was a mistake.” I never said any such thing, and I still stand by my original decision. I asked Irving to remove this comment, and he has yet to do so.
I had not intended to go public with this, but because Irving has painted an inaccurate portrait of me nor has he kept his promises after our last private conversation, I have no choice but to disassociate myself with this article. I have learned one lesson, though. From now on, I’ll be more careful about granting interviews to disrespectful amateurs.

Carmine Infantino”

Okay, we gave the writer of the original piece a change to respond, and you can read his response in the jump:
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To Do 7/12: Cartooning Brunch at Bergen Street Comics

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Join cartoonists Mike Dawson (“Ace-Face”, “Freddie & Me”), Alex Robinson (“Too Cool to be Forgotten”, “Box Offiice Poison”) and John Kerschbaum (“Petey & Pussy”, “The Wiggly Reader”) for their informal conversation, reading of their work and, most importantly, champagne brunch!

Family, Pet and Nerd friendly!


12:00 pm – 3:00pm
Bergen Street Comics
470 Bergen Street
Brooklyn, NY

SD09: Jeff Smith — #2109

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Here’s Jeff Smith’s schedule for this year’s SD: CCI, and a mock-up of the booth he’ll be sharing with Terry Moore. PS: Smith has just been announced as the second GoH at next year’s C2E2 in Chicago.

Thursday July 23

Signing: Cartoon Books Booth 2109, 2:00pm-3:30pm
Panel: Happy Hour with Jeff Smith & Terry Moore Room 7AB, 5:30pm-6:30pm

Friday July 24

Signing: Cartoon Books Booth 2109, 12:30pm-2:00pm
Panel: Jeff Smith Documentary Room 5AB, 7:30pm-9:00pm

Saturday July 25

Signing: Cartoon Books Booth 2109, 10:00am-11:30am
Panel: CBLDF Master Session Room 30CDF, 1:00pm-2:00pm

Sunday July 26

Signing: Cartoon Books Booth 2109, 11:00am-12:30pm
Panel: Comics and Graphic Novels for all Ages Room 3, 1:30pm-2:30pm

NEW OFFERINGS/ FUN MENTIONABLES

-For the 1st time ever, Cartoon Books will be sharing a booth with Terry Moore and Abstract Studios
-We’ll have the debut of Little Mouse at our booth during a signing on Friday
-We are doing joint limited edition prints with Terry Moore
-We’re debuting the Limited Edition RASL Hardcover
-Friday night screening for the Jeff Smith Documentary

SD09: Tania Del Rio and Wilhelm Staehle — M-10

Hi-Bye
Tania del Rio writes:

The Bazaarium is honored to have a booth for the first time at SDCC this year, situated in the Small Press Area at M10. The elusive Wilhelm Staehle and T.D.Rio will be making a rare appearance to hawk their Victorian inspired wares: Dollar Dreadful booklets (including new titles to add to the growing library!), various wearables, gun soaps, spoke cards for your velocipede, and more. Of course, we shall have pieces from the ever-so-popular Silhouette Masterpiece Theatre collection available- among which guests shall find a convention exclusive piece – which shall be unveiled at www.thebazaarium.com a week prior to the event.

Also at booth M-10, Tania del Rio of Archie Comic’s Sabrina the Teenage Witch will have copies of My Poorly Drawn Life available. This is 400 page collected edition of her web-comic of the same name for the low convention price of $20 each. She will also be available for commissions.


Dollar Dreadful Family Web